Piotr Mirowski on the promise and perils of AI in theatre
AI-summarised brief · reviewed before publication
Piotr Mirowski, a Polish-born computer scientist and improvisational actor, bridges AI research and theatre. After years of experimenting with language models on stage, he now serves as a visiting researcher at Goldsmiths, University of London. Mirowski’s latest production, “Improbotics Presents: Artificial Reality,” pairs a robot performer with a human cast in a satire that mimics reality‑TV elimination formats. The show will debut at the Edinburgh Festival Fringe in August. He founded the theatre company Improbotics with robotics PhD student Kory Mathewson, building custom language models trained on subtitles and movie dialogue when few existed. Mirowski argues that AI’s ability to generate unfiltered, spontaneous speech reveals both creative potential and ethical risks for live performance and invites audiences to reconsider authenticity.
💡 Why It Matters
- · By staging AI as a co‑actor, the production forces viewers to confront where human spontaneity ends and algorithmic prediction begins, exposing the cultural stakes of machine‑generated creativity.