Sankan, a Co-op Horror Game Set at a Japanese Gas Station in 1999, Announced for PC

ign.com Nov 12, 2026

Sankan, a Co-op Horror Game Set at a Japanese Gas Station in 1999, Announced for PC

Curated by Shubham · TechCapsules · Nov 12, 2026

AI-summarised brief · reviewed before publication

YTKA Games’ solo developer Dany Rexton announced Sankan, a cooperative horror title set in a 1999 Japanese mountain gas station. Players work night shifts with up to two friends, hearing a voice that forces them to kill a named customer or face a relentless hunt. The game features PS1‑style graphics, subtitle‑only dialogue, and multiple endings that evolve with each shift. Sankan is slated for a PC release in early 2027, with a Steam wishlist available for interested players.

💡 Why It Matters

· The game’s blend of psychological terror and cooperative gameplay offers a fresh take on the horror genre, potentially redefining how multiplayer horror experiences are designed.

Capsules Gaming

Read full article on ign.com

How to complete Cui in Phantom Blade Zero and find Cui’s grandfather

The article provides a step‑by‑step guide to completing the extensive Cui quest in Phantom Blade Zero. After locating the puppet child Cui in the Village of Lu, players must progress through the optional Mountain of Imprisonment, repairing the Illusory Pipa and navigating the Weeping Mistgate to obtain key items. The quest continues to Soulrend Cliff via Pangzhen's Mirage Estate, where players confront the Crusher and Saw bosses. Completing these stages unlocks Lu Jieyuan’s cutscene and rewards, including the Baishan Headband for a powerful dual‑wield weapon.

💡 Mastering this long‑running quest unlocks essential gear and narrative content, enhancing both gameplay depth and character progression.

eurogamer.net · Nov 12

As low-effort AI slop continues to flood Steam, yet more developers announce…

Valve’s Steam approval backlog, driven by a surge of low‑effort AI‑generated games, has forced several indie titles to postpone releases. Developers report delays up to 12 days, citing re‑reviews and unresolved build issues. “Australia Did It: End‑of‑the‑World Railway Defense Business” was delayed from November 10, while “Amazing Slot Survivor” pushed back from November 13. The backlog has sparked calls for stricter submission guidelines and concerns that Valve’s moderation costs may harm genuine developers.

💡 The slowdown threatens indie revenue streams and erodes trust in Steam’s publishing reliability, potentially reshaping the platform’s developer ecosystem.

windowscentral.com · Nov 12

Counterpoint to Katsuhiro Harada: Why the Xbox Series S deserves praise, not…

At the Console Game Developers Conference, former Tekken director Katsuhiro Harada criticized the Xbox Series S, calling its lower memory a burden and joking about a future “Helix S.” His remarks sparked backlash from Series S advocates who argue the console forces developers to optimize code, benefiting all platforms. CD Projekt Red’s Paweł Sasko countered, noting that constraints on the Series S led to improvements in Baldur’s Gate 3’s PS5 and PC versions. Harada later clarified his comments were meant to “liven up the room,” but the controversy continues.

💡 The debate highlights how entry‑level consoles can drive industry-wide optimization, potentially lowering development costs and expanding accessibility for budget‑conscious gamers.

windowscentral.com · Nov 12

‘Xbox Playback’ is Microsoft’s gaming Spotify Wrapped on steroids — Get yours…

Jez Corden, a long‑time Xbox and Microsoft ecosystem reporter, has launched “Xbox Playback,” a data‑driven annual recap that mirrors Spotify Wrapped but for gaming. The feature aggregates users’ playtime, achievements, and game library statistics, offering personalized insights and trend analyses across the Xbox platform. Corden, who hosts TheXB2 podcast and serves as Executive Editor at Windows Central, aims to give gamers a comprehensive view of their habits and the broader market dynamics. The release coincides with Microsoft’s push to deepen user engagement on its console ecosystem.

💡 By turning play data into a public narrative, Xbox Playback turns individual gaming habits into a collective story, revealing shifts in genre popularity and platform loyalty. This transparency can influence developers’ release strategies and help Microsoft gauge the health of its ecosystem.

gamesradar.com · Nov 12

Nintendo pulled back the horror from one of Zelda: Ocarina of Time…

Nintendo’s remake of The Legend of Zelda: Ocarina of Time for Switch 2 revises the game’s iconic ReDead enemies. While the updated graphics, sound, and movement make the creatures more frightening, producer Hidemaro Fujibayashi explained the team chose to dial back the terror to preserve the original experience. The ReDeads remain the scariest enemies since the N64 title, but their audio cues are now less jarring, easing the gameplay for younger players. The decision reflects a balance between nostalgia and modern player comfort.

💡 By tempering the horror, Nintendo protects new audiences from intense fear while honoring the legacy that shaped many childhood memories.

playstationlifestyle.net · Nov 12

Major Capcom PS4 Game Has Been Delisted for Over 2 Weeks

Capcom announced that its PlayStation 4 fighting title Street Fighter V has been removed from the PlayStation Store and taken offline since October 26. The removal follows the discovery of a security vulnerability tied to the PHP code used in the PS4 and Steam builds, prompting “emergency maintenance” to patch the flaw. While the game’s offline single‑player modes remain accessible, all online features, including multiplayer matchmaking, have been disabled. Capcom issued a brief statement apologizing for the inconvenience and asking users to be patient, but has offered no timeline for restoration. Physical copies continue to sell, and the title has never appeared on Xbox consoles. The issue persists more than two weeks after the initial delisting. No updates have been provided by Capcom.

💡 The outage removes a flagship competitive title from the digital marketplace, forcing players to rely on dwindling physical stock and disrupting the online fighting‑game ecosystem.